lowquality.net

If you play arpeggios over any II-7 to V7 changes (two-fives), placing a passing tone (a scale or chromatic note) on the 4th beat will always resolve either up or down (and sometimes it can do both) into a chord tone of the next chord.

Let’s say we’re playing G-7 to C7:

G-7-------|C7-------|G-7------|C7---------|
G Bb D D# | E G Bb B | Bb D F F#| G Bb C Eb |

and so on..