James Jamerson Tattoo, Session Two

Phase 2Here is an update on the progress of my James Jamer­son tat­too. I still have one more ses­sion to go but the major­ity of the work is done. Sean is going to go over a bunch of lines again and make them darker so the details have more depth and stand out more against the color and add some more design to the out­side ring and the inner arch, but I am really happy with how it is turn­ing out so far.

Some­times between the last ses­sion and now Sean got the oppor­tu­nity (dur­ing a Show­time “free week­end”) to see Stand­ing In The Shad­ows of Motown and he seemed to have a whole new appre­ci­a­tion for the sub­ject of the tat­too. Not that he didn’t do an incred­i­ble job with the ini­tial work, but I felt like he was more inspired and more thought­ful this time around, even say­ing that he wished he’d seen the movie before he did the first session.

There was such a gap of time between the first ses­sion and this one that I had really grown used to the way it looked before. I am totally blown away with how it looks now and I can’t believe that in a cou­ple of weeks it will look even bet­ter. It’s insane.

Some­thing you don’t really under­stand about tat­toos until you get one is the odd cama­raderie you have with other tat­tooed peo­ple. In an envi­ron­ment where you are doing your best to move as lit­tle as pos­si­ble you find your­self cran­ing your neck to peep in a mir­ror to get a glimpse of what the per­son next to or across from you is get­ting. You find your­self talk­ing to peo­ple you have noth­ing in com­mon with– except that you both have tat­toos– and you find your­self appre­ci­at­ing the com­mon thread all tat­tooed per­sons have.

Ses­sion One
Ses­sion Two
Ses­sion Three

5 Comments

  • I think that part of the cama­raderie involves the fact that those with tat­toos at least have taken the coura­geous step of mak­ing a com­mit­ment to some­thing. Even if it’s just a draw­ing, it’s there for life. Part of it also is the excite­ment of some­thing new; I’ve had mine for almost ten years now (I just turned 28 a cou­ple of days ago), and I’ve got to say that I’ve got­ten so used to them that some­times it just hits me that I’ve got cool tat­toos. I don’t even notice them half the time. The cama­raderie def­i­nitely won’t be there when you meet some piece of dung with a swastika or black pan­ther on themselves.

    Con­grat­u­la­tions on the ink. You’re a true metal war­rior! Sign of the Hammer!

  • Thanks Miller.

    There is some­thing to be said of hav­ing sym­bols or images of ideas or peo­ple you admire on your skin all of the time. For a long time I swore I would never get a music-related tat­too because I thought it was stu­pid to have a sym­bol of some­thing I do every day on my skin.

    That, of course, was when I was at Berklee and I thought I would be play­ing music every day for the rest of my life.

  • keeps look­ing bet­ter and bet­ter every­time. Next time I expect him to jump off your chest and start thump­ing the bass.

    as you fran­ti­cally try and recover the bleed­ing from your gored manchest.

  • I really think you should enter this piece into a con­test if we decide to go to the tat­too convention.

  • […] One Ses­sion Two Ses­sion Three Tues­day Jan­u­ary 29, 2008 – 1:59 am | By Justin | Posted in Gen­eral, Music […]

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