Archive for the 'Books & Movies' Category

Grindhouse

Not only was the Robert Rodriguez / Quentin Tarrantino Double-Feature Grindhouse the most fun I have had at a movie theater in forever, it also has a bad ass website which features, quite possibly, the coolest-looking load screen ever.

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Oh, if anyone was wondering: Rose McGowan is still super hot with a peg leg and Kurt Russell is still the best B-Movie actor to come out of Walt Disney Pictures. Period.

Pay special attention to the phony trailers at the beginning and middle of the film. According to imdb.com, Robert Rodriguez has Machete scheduled for 2008, but we will be cheated if Eli Roth never makes Thanksgiving into a feature film. I guess I’ll settle for Hostel 2.

Making Friends With Black People

So Kim warns me the other day that her best friend, Dee (who is black) might be getting me a Christmas present so I should be sure to find her something, or throw in on the gift Kim is buying her, so that, when she comes to visit, I don’t look like a heel. Fortunately, Dee lives in the Washington DC area and will visit sometime after New Year’s so I have some time to look for the best possible gift, but I like to shop early, and I knew this was going to be difficult so I started looking for it in advance.

Shopping for Dee became one of those moments where I realized that even though I have spent so much time with Kim, I don’t know her friends all that well. I know a little about Dee, we’ve met quite a few times now, but I don’t have a lot in common with her. She’s really awesome and funny to hang out with, but she has tastes that I just don’t feel right supporting– like an out-of-control love affair with Dave Matthews and John Mayer (I assure you, she really is black). I know she’s an avid reader but I don’t really have any idea about what she reads other than Oprah Book Club books about the Ya-Ya Sisterhood of Devils wearing Dolce & Gabana and whatnot. No offense to anyone who likes that stuff, but you should all know by now that it’s not my thing. I wouldn’t feel right buying or giving a gift like that. I wouldn’t buy a fat kid brownies for just because I knew he’d eat them (I’d eat them myself… mmmm). Also, I have no idea what she owns already, I suppose a gift card would be acceptable, but I think those kinds of gifts are a cop out.

So, yesterday I am sitting at my computer and electronically beating my head against the walls of Amazon.com and eBay, trying to figure out what the hell I should get Deandras. I start typing in keywords based on what I know about her. Keywords like “gifts for women books.”

Then I tried searching for some music she likes, thinking I can use Amazon’s “Customers who bought _____ also bought ____” feature to my advantage to find something new: “Dave Matthews,” Jason Mraz”, “whiteboy soul,” “stupid hat,” “crooked face,” “impotent Starbucks soul” (ok, I admit that I got a little sidetracked by Jason Mraz’s stupid hats, face, and music.)

Next I went for broke and thought about finding a stupid deal on something expensive: “designer handbags,” “Tiffany,” “Coach,” “a boyfriend” (Dee is one of these girls who stays single for long durations and for no really explainable reason) and so on and so forth.

Finally, in what can only be described as a Michael Richards-esque meltdown, I approached the threshold of my frustration and typed a keyword search for “black people.”

blackpeople.jpgAnd this is what came up: Making Friends With Black People by Nick Adams. Reading the title, I snicker and snort and giggle a little bit (like a lot of white folks do when we see funny books about black people), read the brief synopsis and shoot Kim an email asking her if she can find the book at work (she works at the library). Then I forgot about it completely and moved on with my life for the rest of the day.

Around 9PM, when she gets off of work, she stands in my living room, holds the library’s copy of book up in one hand and announces that “This is the funniest fucking book, ever! This guy is reading my mind!” Then she rambles about talentless white musicians claiming famous black artists as influences to gain credibility (a portion of which is included below). Topics such as “The N Word,” “White Rappers,” and “Britney Spears” aren’t groundbreaking topics from a comedian these days, but the eloquent prowess that Nick attacks them with is fresh, vital and just plain fucking brilliant:

from the chapter When White Rappers Attack or Five More Things That Make Me Want to Travel Back In Time to Shoot Kool Herc in the Head

“Whenever I see [Insane Clown Posse's] albums on the on the shelves in record stores, I feel like that old Chinese man in the movie Gremlins. White people have handled hip-hop the way Zach Galligan handled his mogwai. They simply weren’t ready for the responsibility.”

from the chapter To Ebonics and Beyond!!!

“What started off as “off the hook” became “off the heezy,” which then became “off the heezy for sheezy,” which begat “off the heezy for sheezy my neezy.” Honestly, don’t you have something better to do than keep track of the etymology of “heezy”? Not to mention the “chain” or the “Richter” or any of the other thing that it’s possible for something that is most excellent to be off of. I warn my white readers away from these words specifically because they’ve proven difficult to navigate even for a seasoned veteran of Negro vernacular like myself.”

from the chapter A Memo to Britney and Justin

“If I have to listen to another of these no-talent, white media creations talk about how much they love Stevie Wonder or much they were influenced by Michael Jackson, I might just go insane. If you love Stevie Wonder so much, why don’t you actually play an instrument on your album? [...] Is it too much to ask of one of these Mickey Mouse Club has-beens to stop shopping for low rise jeans and trucker hats long enough to actually contribute something to their album besides the cover photo? If you are so influenced by Michael Jackson, why don’t you stop lip-syncing and try singing live?”

These probably aren’t the funniest moments of the book, but parts that stand out to me at this point. A lot of the work is dedicated to the dumb ass things well-meaning white folks say to non-white folks without even considering how insensitive it might seem. Nick Adams does this very well and without subjugating, demeaning, or otherwise ruffling the feathers of sensitive white readers. It really takes genius to be able to write this brand of race-relation humor and make it appealing to a wide audience and then not seem like you are being overly careful and ultimately deflating the whole point of laughing at race relations. Additionally, Nick avoids the Def Jam Comedy Hour template of “This is how a white man does something [insert 30 year-old Richard Pryor uptight white guy impression everyone has heard already]” followed by “Now this is how a black man does that same thing [insert overly extroverted ebonicized black guy impression while bouncing around the stage in a 30 foot radius].

So, hopefully, Deandras doesn’t read this site, because I am totally buying her this book for Christmas.

The Debut

Last night Kim got me to watch “The Debut.”In case you are not familiar with this movie, “The Debut” is considered by many to be the first motion picture made in the US to capture the Filipino-American experience. The movie stars Dante Basco (white folks will recognize him as Rufio from Hook ) as a culturally repressed Filipino-American teenager, named Ben Mercado, who suddenly comes to a cultural awakening at his sister’s debutant ceremony. Dante’s performance as Ben is a little distracting, even to a white guy like me. Ben seems to be in a state of complete bewilderment, as if he has never been around his family and was raised by wolves or something. I have been dating a Filipino girl for about a year and I have been to more barcada parties than I can count and never have I been as shocked and amazed at her family’s traditions and collective idiosyncracies as Basco seems to be in this film. Ben is so fascinated by his sister’s debut ceremony it seems as if this was the first time he’s ever seen one. It is extremely unlikely that this would be his first time attending a debut, as he would have been to the ceremonies of the other women in his family. Furthermore, how could Ben Mercado have made it to 18 years of age without learning how to dance with his Aunties? Why is he so surprised to learn that his dad sings? Kim has like 15 uncles who take their Magic Mic Karaoke machines with them everywhere they go.

The scene I expected to see in this movie never came. It would have gone something like this: Ben would be sitting at the table during the reception and then lean over to one of his retarded white friends and say…

“Woah! WOAH!! WOW!! What’s this white stuff!?!?”

“Yo dawg that’s, like, RICE. You know, for sheezy!!”

“Woah! Wow!! It’s so good!! I have, like, the coolest family ever!! I’m gonna go watercolor a portrait of a rice cooker!!

I am sure a major reason this movie was successful is the realism of the characters (most of them anyway). If you know even a few Filipinos, it is easy to watch this film and recognize characters that resemble the people that you know in real life. I am still pretty much on the outside of things in Kim’s family, but this film is very accurate compared to what I have experienced hanging out with her friends and family. For someone who is a part of this culture, I am sure it was a breath of fresh air to see this film on the big screen, especially after years of seeing so many similar films concerning every other ethnic group in the United States.

I even saw myself in this film. Ben’s white friends (I forget their names, they are that forgettable) are completly enamored with the Filipino culture and seem better equipped at having fun with his family than he does. I identified with this, because I think Kim is sometimes exhausted by her own family and when we’re at a party with them I am always the one who wants to stay even when I know she’s ready to leave. Despite this single similarity, I was let down by the portrayal of white people in this movie. I know, I know, you don’t need to tell me, who cares about white folks, right? But, If you were from the Philippines, had never been to the States and this movie was the only exposure you had to American culture (doubtful, but possible) you’d think putis were the biggest idiots in the world. I’m not saying we’re not the biggest idiots; I’m just offended that this movie exaggerates that possibility.

Another example of the film’s accuracy is that it perfectly encapsulates the nonsensical “gangsta” subculture among Filipino Americans. In one scene a would-be hood and rival of Ben, named Gusto, is accusing Ben of being “a coconut” (you know, brown on the outside, white on the inside), throwing gang signs and posturing like Ice Cube (Rice Cube, perhaps?). The whole time I’m thinking “Dude, stop pretending your black.”

Before I met Kim, I knew more Filipinos like Gusto than any other character in this film. Don’t get me wrong, I don’t think every Filipino kid that’s into hip-hop is carrying a piece or running drive-bys and I am not knocking Filipino B-Boys or DJs. I simply do not understand how Filipinos merged into hip-hop culture to such an extent that they view hip-hop and R&B as their music and rock as white music. It’s pretty strange to me and I don’t understand it. I’ve never understood it. Maybe Chad Hugo can explain it to me. Yeah, someone tell Chad to email me.

Anyway, despite it’s incosistencies, I find myself wanting to see this movie again so that I can maybe understand it a little better, but, truthfully, I’d rather hang out with Kim’s family and get my own story. Oh yeah, I almost forgot; after watching an included feature on the DVD and seeing, writer, John Castro’s adobo shirt that looks like the addias logo, I did a google search for it and found some other Pinoy-related pop-culture t-shirts. This really cracked me up:

Bomba

Bomba Star Galactica. That’s hilarious.